|
Top Document: rec.arts.bodyart: Tattoo FAQ 9/9--Bibliography Previous Document: PRINT REFERENCES Next Document: TATTOO ORGANIZATIONS See reader questions & answers on this topic! - Help others by sharing your knowledge CELTIC ART : THE METHODS OF CONSTRUCTION, by George Bain New York, Dover Publications [1973] 159 p. illus. 31 cm. Reprint of the 1951 ed. published by W. MacLellan, Glasgow. ISBN: 0486229238 Review: Lavishly illustrated with line drawings and photographs. This is the grand original that has inspired the Celtic revival and is an excellent start for understanding the creation of knotworks and braids. Not an easy method to master, but the best single resource book available. CELTIC KNOTWORK, by Ian Mackintosh Bain Constable 1986, 115 p., 8"x10", paper. ISBN 0-09-469810-4 If his father's work confuses you (above), take heart and try this. He teaches a method for creating knotworks in a grid that is surely close to the method used in the past. [Currently available as: Celtic knotwork / Iain Bain. New York : Sterling Pub. Co., 1992. 115 p. : ill. (some col.) ; 25 cm. ISBN: 0806986387 : $14.95] CELTIC KEY PATTERNS, by Ian Bain ISBN 0-09-471820-2, Constable 1993, 88 pages, 8"x10", paperbound The definitive text for learning how to create and reproduce the interlocking key geometric patterns. [May be available as: Celtic key patterns / Iain Bain. New York:Sterling Pub. Co., c1994. xi, 88 p. : ill. (some col.) ; 25 cm. ISBN: 0806907401 : $14.95] THE LINDISFARNE GOSPEL, introduction by Janet Backhouse ISBN 0-7148-2461-5, Department of Manuscripts, British Library illuminated pages reproduced in color, paperbound The second most influential of the ancient manuscripts from the 9th century .Beautiful inspiration, not possible to trace patterns because they are so tiny, but colors are vivid. THE BOOK OF KELLS : SELECTED PLATES IN FULL COLOR, Blanche Cirker, editor New York : Dover Publications, c1982. 32 p. : col. ill. ; 31 cm. ISBN: 0486243451 (pbk.) Review: An inspirational source, provides a reality check on the scale and intricacy of the original 9th century masterpiece. Much too miniscule in scale to be of use for tracing out patterns, but awe inspiring to study. Of particular use for coloring ideas. CELTIC DESIGNS AND MOTIFS, by Courtney Davis New York : Dover, 1991. 44 p. : chiefly ill. ; 28 cm. ISBN: 0486267180 (pbk.) : $3.95 Excellent flash source.Many knotwork and zoomorphic designs. CELTIC STAINED GLASS COLORING BOOK, by Courtney Davis New York : Dover, 1993. 16 p. : chiefly ill. ; 28 cm. ISBN 048627456X (pbk.) Possible flash source. They lend themselves well to reproduction on a large scale, heavy black linework very well composed. CELTIC IRON-ON TRANSFER PATTERNS, by Courtney Davis New York : Dover . 48 p. : 65 transfer patterns, 28 cm. ISBN 0486260593 (pbk.) Excellent flash source. Armbands, knotworks, zoomorphics, all ready to go as stencils on tissue paper. THE ART OF CELTIA, by Courtney Davis London : Blandford, 1993. 128 p. :ill. (some col.) ; 29 cm. ISBN: 0713723092 Evocative use of traditional Celtic artforms in superb artwork. Discussions of symbolism and the historic signifigance of the designs. Very inspiring. CELTIC MANDALAS, by Courtney Davis, with text by Helena Paterson London : Blandford, 1994, 96 p. : ill. (some col.) ; 29 cm. ISBN 0713723890 (pbk.) Beautiful use of Celtic motifs in symbolic art, discussions of Celtic mythology and zodiac signs. CELTIC BORDERS AND DECORATION, by Courtney Davis, text by Helena Paterson. London : Blandford ; New York, NY : Distributed in the United States by Sterling Pub. Co., 1992. 95 p. : ill. ; 28 cm. ISBN: 0713723300 Wonderful guide to bands, braids, and designs suitable for expansion into armbands, anklets etc. CELTIC ART SOURCE BOOK, by Courtney Davis London ; New York : Blandford : Distributed in the United States by Sterling Publishing Co, 1988. [128] p. : chiefly ill. (some col.) ; 26 cm. ISBN: 0713719826 The ONLY negative thing I can say about this inspirational work is that it will raise the expectations of tattoo clients too high for what can reasonably be accomplished in the skin format. Any of these designs could translate, but many only at backpiece scale. For the use of color examples alone it stands out as a must-have in any Celtic art library. THE BOOK OF CONQUESTS, by Jim Fitzpatrick Dutton : 1978. ISBN 0525475117 (pbk.) Beautiful use of Celtic design motifs in service of storytelling, bringing the tales of the Old Ones alive. Possibly also available: NUADA OF THE SILVER ARM. ART OF THE CELTS : FROM 700 BC TO THE CELTIC REVIVAL, by Lloyd & Jennifer Laing London : Thames and Hudson, c1992. 216 p. : ill. (some col.) ; 21 cm. ISBN: 0500202567 More of a text for historical grounding. 159 CELTIC DESIGNS, by Amy Lusebrink New York : Dover, 1988. 48 p. : chiefly ill. ; 28 cm. ISBN 0486276880 (pbk.) Excellent flash source. Unfortunately rather poorly drawn, most would have to be re-drawn for precision before being used as a tattoo stencil. CELTIC DESIGN : A BEGINNER'S MANUAL, by Aidan Meehan Thames & Hudson , 258 illustrations. ISBN 0500276293 (pbk.) If you want to begin to draw your own braids, this is the text. CELTIC DESIGN: KNOTWORK: THE SECRET METHOD OF THE SCRIBES, by Aidan Meehan New York : Thames and Hudson, 1991. 159 p. : ill. ; 21 cm. ISBN: 0500276307 : $14.95 Even more esoterica. For those who would be druids. CELTIC DESIGN: ANIMAL PATTERNS, by Aidan Meehan New York : Thames and Hudson, 1992. 160 p. : ill. ; 21 cm. ISBN: 0500276625 : $14.95 Known as zoomorphics, a guide to the twisty beasties. CELTIC DESIGN : SPIRAL PATTERNS, by Aidan Meehan New York : Thames and Hudson, 1993. 160 p. : ill. ; 21 cm. ISBN: 0500277052 (pbk.) The spiral forms a vital part of Celtic design, and this book explains the symbolism and methods for incorporation. CELTIC DESIGN : ILLUMINATED LETTERS, by Aidan Meehan New York : Thames and Hudson, 1992. 160 p. : ill. ; 21 cm. ISBN: 0500276854 : $14.95 Insights into the creation of manuscript iluminations. Many stand alone for lovely initials or monograms. CELTIC DESIGN : MAZE PATTERNS, by Aidan Meehan New York : Thames and Hudson, 1994, c1993. 160 p. : ill. ; 21 cm. ISBN: 0500277478 (pbk.) Guide to the geometric patterns also known as key patterns. A HANDBOOK OF CELTIC ORNAMENT, by John G Merne Mercier, 1992. 103 p., 11 cm., ISBN 0853424039, (pbk). Presents a systemized method of construction for most forms of Celtic decoration. Examines the various motifs and expands on them, guiding the reader to develop their own variations. Highly reccomended resource. CELTIC STICKERS AND SEALS, by Mallory Pearce New York : Dover, 1995. 16 p. : chiefly ill. ISBN 0486284190 (pbk.) 90 full-color pressure sensitive seals and designs. Mostly letters of alphabets, useful for monograms and such. DECORATIVE CELTIC ALPHABETS, by Mallory Pearce New York : Dover, 1992. ISBN 0486270416 (pbk.) A pleasant alternative for lettering styles. CELTIC BORDERS ON LAYOUT GRIDS, by Mallory Pearce New York : Dover 1990. 64 p. : chiefly ill. (77 illustrations, one-sided for clipart use) ; 28 cm. ISBN 0486265188 (pbk.) Mostly useful for print advertising, letterhead, etc., but also a good source for clear simple braids. CELTIC MOTIFS : STICKERS, by Mallory Pearce New York : Dover, 1995. 4 p. : chiefly ill. (4 black-and-white pressure sensitive stickers) ;8 cm. ISBN 0486284085 (pbk.) A possible source for a few animal patterns. AN INTRODUCTION TO IRISH HIGH CROSSES, by Hilary Richardson & John Scarry Mercier, 1990, 152 p. ; 28 cm., ISBN 0853429413 Very thorough photographic record of Irish high crosses with many examples of stone carving and guides to interpretation of the symbolism. CELTIC CROSSES OF BRITAIN AND IRELAND, by Malcom Seaborne Shire, 1989. ISBN 0747800030 Good quality photographs of many major surviving high crosses, examples of Celtic designs in stonecarving. KNOTS: USEFUL AND ORNAMENTAL, by George Russell Shaw Bonanza Books, Unabridged replication of the original 1933 edition, ISBN 0517460009 (pbk.) Encyclopedic reference for knots, the base for Celtic knotwork braids and illuminations. CELTIC DESIGN COLORING BOOK, by Ed Sibbett, Jr. New York : Dover, 1979. 48 p. : chiefly ill. ; 28 cm. ISBN 0486237966 (pbk.) Simplistic but nice. Not much that would be useful as flash. CELTIC CHARTED DESIGNS, by Co Spinhoven New York : Dover, 1987. 64 p. : chiefly ill. ; 28 cm. ISBN 0486254119, (pbk.) Over 300 designs in charted grids for use on needlepoint, embroidery, knitting. Probably not useful as flash. CELTIC STENCIL DESIGNS, by Co Spinhoven New York : Dover 1990. 64 p. : chiefly ill. (130 designs) ; 28 cm. ISBN 0486264270, (pbk.) Excellent design source for patterns so perfectly reproducible as bold blackwork they qualify as Celtic Tribal. CELTIC CUT AND USE STENCILS, by Co Spinhoven New York : Dover, 1992. 64 p. : chiefly ill. (61 ill.) ; 28 cm. ISBN 0486272389 (pbk.) Less useful than CELTIC STENCIL DESIGNS but has a few nice patterns. All bold blackwork. AUTHENTIC CELTIC IRON-ON TRANSFERS, by Co Spinhoven New York : Dover, 1994. 16 p. : chiefly ill. ISBN 0486283097 (pbk.) A treasure of designs! For the $1 price you get elegant, clearly drawn, immediately useful flash. Gets the BEST BUY award. TWELVE CELTIC BOOKMARKS, by Co Spinhoven New York : Dover, 1994. 6 p. : chiefly ill. ISBN 0486279448 (pbk.) Every bookmark an armband design. Will require re-drawing from colored versions. THE BOOK OF KELLS, by described by Sir Edward Sullivan Studio Editions Ltd, Facsimile reprint of 1920 edition, ISBN 1851700358 A guide to knowing what you are seeing in the intricate pages of the Book of Kells. CELTIC AND EARLY MEDIEVAL DESIGNS FROM BRITAIN, by Eva Wilson New York : Dover. 128 p. ISBN 0486253406 (pbk.) Unabridged republication of the original 1983 British Museum Edition, 407 illustrations. Overview survey, not particularly useful as an art reference. User Contributions:Comment about this article, ask questions, or add new information about this topic:Top Document: rec.arts.bodyart: Tattoo FAQ 9/9--Bibliography Previous Document: PRINT REFERENCES Next Document: TATTOO ORGANIZATIONS Part1 - Part2 - Part3 - Part4 - Part5 - Part6 - Part7 - Part8 - Part9 - Single Page [ Usenet FAQs | Web FAQs | Documents | RFC Index ] Send corrections/additions to the FAQ Maintainer: stan@cosmo.pasadena.ca.us
Last Update March 27 2014 @ 02:11 PM
|
https://nivapackersandmovers.com/
I'm shocked, this is individual of the most engaging videos in return macho that I watched.
I exhort to watch it, I in meat of truly could not divide myself away from watching it. Would angel to do the at any rate again.
https://xcavy.com/search/anna-deville-freedom-pegging/
Who will help?
https://nivapackersandmovers.com/house-shifting-services-in-hyderabad/
Throughout time, we can see how we have been carefully conditioned coming to this point where we are on the verge of a cashless society. Did you know that Jesus foretold of this event almost 2,000 years ago?
In Revelation 13:16-18, it states,
"He (the false prophet who deceives many by his miracles--Revelation 19:20) causes all, both small and great, rich and poor, free and slave, to receive a mark on their right hand or on their foreheads, and that no one may buy or sell except one who has the mark or the name of the beast, or the number of his name.
Here is wisdom. Let him who has understanding calculate the number of the beast, for it is the number of a man: His number is 666."
Referring to the last generation, this could only be speaking of a cashless society. Why's that? Revelation 13:17 tells us that we cannot buy or sell unless we receive the mark of the beast. If physical money was still in use, we could buy or sell with one another without receiving the mark. This would contradict scripture that states we need the mark to buy or sell!
These verses could not be referring to something purely spiritual as scripture references two physical locations (our right hand or forehead) stating the mark will be on one "OR" the other. If this mark was purely spiritual, it would indicate both places, or one--not one OR the other!
This is where it comes together. It is shocking how accurate the Bible is concerning the implantable RFID microchip. Here are notes from a man named Carl Sanders who worked with a team of engineers to help develop this RFID chip:
"Carl Sanders sat in seventeen New World Order meetings with heads-of-state officials such as Henry Kissinger and Bob Gates of the C.I.A. to discuss plans on how to bring about this one-world system. The government commissioned Carl Sanders to design a microchip for identifying and controlling the peoples of the world—a microchip that could be inserted under the skin with a hypodermic needle (a quick, convenient method that would be gradually accepted by society).
Carl Sanders, with a team of engineers behind him, with U.S. grant monies supplied by tax dollars, took on this project and designed a microchip that is powered by a lithium battery, rechargeable through the temperature changes in our skin. Without the knowledge of the Bible (Brother Sanders was not a Christian at the time), these engineers spent one-and-a-half-million dollars doing research on the best and most convenient place to have the microchip inserted.
Guess what? These researchers found that the forehead and the back of the hand (the two places the Bible says the mark will go) are not just the most convenient places, but are also the only viable places for rapid, consistent temperature changes in the skin to recharge the lithium battery. The microchip is approximately seven millimeters in length, .75 millimeters in diameter, about the size of a grain of rice. It is capable of storing pages upon pages of information about you. All your general history, work history, criminal record, health history, and financial data can be stored on this chip.
Brother Sanders believes that this microchip, which he regretfully helped design, is the “mark” spoken about in Revelation 13:16–18. The original Greek word for “mark” is “charagma,” which means a “scratch or etching.” It is also interesting to note that the number 666 is actually a word in the original Greek. The word is “chi xi stigma,” with the last part, “stigma,” also meaning “to stick or prick.” Carl believes this is referring to a hypodermic needle when they poke into the skin to inject the microchip."
Mr. Sanders asked a doctor what would happen if the lithium contained within the RFID microchip leaked into the body. The doctor replied by saying a terrible sore would appe (...)