184
D. Rocchesso: Sound Processing
[11] F. Armani, L. Bizzarri, E. Favreau, and A. Paladin. MARS - DSP En-
vironment and Applications. In A. Strange, editor, Proc. International
Computer Music Conference, pages 344­347, San Jose, CA, Oct. 1992.
ICMA.
[12] A. Bernardi, G. Bugna, and G. D. Poli. Music signal analysis with chaos.
In C. Roads, S. Pope, A. Picialli, and G. D. Poli, editors, Musical Signal
Processing, pages 187­220. Swets & Zeitlinger, 1997.
[13] J. Blauert. Spatial Hearing: the Psychophysics of Human Sound Localiza-
tion. MIT Press, Cambridge, MA, 1983.
[14] B. Blesser. An interdisciplinary synthesis of reverberation viewpoints. J.
Audio Eng. Soc., 49(10):867­903, 2001.
[15] G. Borin, G. De Poli, and A. Sarti. Sound Synthesis by Dynamic Systems
Interaction. In D. Baggi, editor, Readings in Computer-Generated Music,
pages 139­160. IEEE Computer Society Press, 1992.
[16] G. Borin, G. D. Poli, and D. Rocchesso. Elimination of delay-free loops
in discrete-time models of nonlinear acoustic systems. IEEE Transactions
on Speech and Audio Processing, 8(5):597­605, 2000.
[17] G. Borin, D. Rocchesso, and F. Scalcon. A physical piano model for music
performance. In Proc. International Computer Music Conference, pages
350­353, Thessaloniki, Greece, Sept. 1997. ICMA.
[18] J. Borish. An Auditorium Simulation for Home Use. In Audio Eng. Soc.
Convention, New York, 1983. AES.
[19] C. P. Brown and R. O. Duda. A structural model for binaural sound
synthesis. IEEE Trans. Speech and Audio Processing, 6(5):476­488, Sept.
1998.
[20] C. Cadoz, A. Luciani, and J.-L. Florens. CORDIS-ANIMA: A modeling
and simulation system for sound synthesis - the general formalism. Comp-
uter Music J., 17(1):19­29, Spring 1993.
[21] S. Cavaliere, G. D. Giugno, and E. Guarino. MARS - The X20 device and
the SM1000 board. In A. Strange, editor, Proc. International Computer
Music Conference, pages 348­351, San Jose, CA, Oct. 1992. ICMA.
[22] A. Chaigne. On the Use of Finite Differences for Musical Synthesis. Appli-
cation to Plucked Stringed Instruments. J. Acoustique, 5:181­211, 1992.
[23] J. M. Chowning. The synthesis of complex audio spectra by means of
frequency modulation. Journal of the Audio Eng. Soc., 21(7):526­534,
1973.
[24] T. H. Cormen, C. E. Leiserson, and R. L. Rivest. Introduction to Algo-
rithms. MIT Press, Cambridge, MA, 1990.
[25] R. Courant and H. Robbins. What is Mathematics?: an elementary ap-
proach to ideas and methods. Oxford Un. Press, New York, 1941. Trad.
It. Che Cos'`e la Matematica?, Universale Scientifica Boringhieri, 1971.
Next Page >>
<< Previous Page
Back to the Table of Contents