186
D. Rocchesso: Sound Processing
[43] D. A. Jaffe and J. O. Smith. Extensions of the Karplus-Strong Plucked
String Algorithm. Computer Music J., 7(2):5669, 1983.
[44] J.-M. Jot. Etude et ReŽalisation d'un Spatialisateur de Sons par Mod`eles
Physiques et Perceptifs. PhD thesis, TELECOM, Paris 92 E 019, 1992.
[45] J.-M. Jot and A. Chaigne. Digital Delay Networks for Designing Artificial
Reverberators. In Audio Eng. Soc. Convention, Paris, France, Feb. 1991.
AES.
[46] T. Kailath. Linear Systems. Prentice-Hall, Englewood Cliffs, 1980.
[47] K. Karplus and A. Strong. Digital Synthesis of Plucked String and Drum
Timbres. Computer Music J., 7(2):4355, 1983.
[48] G. S. Kendall. A 3-D Sound Primer: Directional Hearing and Stereo
Reproduction. Computer Music J., 19(4):2346, Winter 1995.
[49] G. Kuhn. Model for the interaural time differences in the azimuthal plane.
J. Acoustical Soc. of America, 62:157167, July 1977.
[50] H. Kuttruff. A Simple Iteration Scheme for the Computation of Decay
Constants in Enclosures with Diffusely Reflecting Boundaries. J. Acous-
tical Soc. of America, 98(1):288293, July 1995.
[51] T. I. Laakso, V. Všalimšaki, M. Karjalainen, and U. K. Laine. Splitting
the Unit Delay--Tools for Fractional Delay Filter Design. IEEE Signal
Processing Magazine, 13(1):3060, Jan 1996.
[52] J. Laroche. Time and pitch scale modification of audio signals. In M. Kahrs
and K. Brandenburg, editors, Applications of Digital Signal Processing to
Audio and Acoustics, pages 279309. Kluwer Academic Publishers, 1998.
[53] J. Makhoul. Linear prediction: A tutorial review. Proc. IEEE, 63(4):561
580, Apr. 1975.
[54] W. L. Martens. Psychophysical calibration for controlling the range of
a virtual sound source: multidimensional complexity in spatial auditory
display. In Proc.Int. Conf. Auditory Display (ICAD-01), pages 197207,
Espoo, Finlnd, 2001.
[55] D. C. Massie. Wavetable sampling synthesis. In M. Kahrs and K. Bran-
denburg, editors, Applications of Digital Signal Processing to Audio and
Acoustics, pages 311341. Kluwer Academic Publishers, 1998.
[56] M. Mathews, J. E. Miller, F. R. Moore, J. R. Pierce, and J.-C. Risset.
The Technology of Computer Music. MIT Press, Cambridge, MA, 1969.
[57] D. Mazzoni and R. Dannenberg. A fast data structure for disk-based audio
editing. In Proc. International Computer Music Conference, La Habana,
Cuba, Sep 2001. ICMA.
[58] S. K. Mitra.
Digital Signal Processing: A computer-Based Approach.
McGraw-Hill, New York, 1998.