New York

Article Abstract:

Belgian choreographer Anna Teresa De Keersmaeker's American premiere for the 2004 Mostly Mozart Festival of her 1992 Mozart/Concert Arias, un moto di gioia contains lots of repetition, which is a staple of postmodern choreography. De Keersmaeker has attempted to integrate her ensemble of dancers with three sopranos and musicians by seamlessly interweaving twenty-four Mozart selections with a few silent interludes and all the players into the architecture of the dance.

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A conversation with Monica Mason

Article Abstract:

Monica Mason joined the Royal Ballet in 1958 and went on to work with Ninette de Valois, Frederick Ashton and Kenneth MacMillan. She has described her experience of heading one of the world's great ballet companies and also her primary vision for the future of the company.

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New York

Article Abstract:

The Jerome Robbins Dance Division of The New York Public Library performed various ballets of Vaslav Nijinsky for Performing Arts from February 12 to May 3. The photography, artworks, costumes and set designs are highlighted.

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