Dance theory

Article Abstract:

Dance is a composite art that is difficult if not impossible to explain with a single theory. Yet most choreographers maintain that they have something like theories underlying their work which begs the question as to how to define these quasi-theories. Successful dances each have their own theory in that they arrive at a fresh perspective on the interrelation of all possibilities and component parts. Examination of any general dance theory must include a study of individual dance performers as well as choreographer.

User Contributions:

Comment about this article or add new information about this topic:

Comment:  (50-4000 characters)

Name:

E-mail:

Security Code:

A magic not our own

Article Abstract:

The irreducible co-dependencies between the choreographer and the dancer make possible a magic that is fresh as a combinatorial delight is one of the basic resources of classical dance. Some of these combinations like Austin Laurent in 'If You Asked Me, I Could Write a Book', Petipa's Henrietta solo, ABT's new production of Balanchine's Mozartiana and The Sleeping Beauty are illustrated.

User Contributions:

Comment about this article or add new information about this topic:

Comment:  (50-4000 characters)

Name:

E-mail:

Security Code:

Sex, murder, and 'Agon.'

Article Abstract:

The highlights of the New York City Center performances in the fall of 1998 were the San Francisco Ballet Company's performances of 3 older works. Flemming Flindt's 'The Lesson,' George Balanchine's 'Agon,' and Jerome Robbins' 'The Cage' were reinterpreted with compelling style and technical artistry. Past works and present skilled dancers made a powerful combination.

User Contributions:

Comment about this article or add new information about this topic:

Comment:  (50-4000 characters)

Name:

E-mail:

Security Code: