Article Abstract:
The position of ballet conductor is a late-20th-century phenomenon. The exponential increase in ballet performances during the half-century beginning in about 1925 has led to some permanent positions for this new breed, whereas temporary engagements of conductors had been the rule earlier. Salient job qualifications are an interest in dance and a well-honed sense of movement. Ballet conductors must also cultivate the self-discipline to consistently play according to an agreed tempo, since they dare not throw the dancers off by letting their mood on a given day affect how the music is played.
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Article Abstract:
George Beiswanger made his greatest contribution as a dance critic in the area of American modern dance. He did much of his writing in the 1940s for the 'Theatre Arts Monthly' magazine. He documented the significant developments in American modern dance in the 1930s and wrote of dance as a theater art drawing inspiration from the culture of the artist's time as much as from the dancer's imagination. Beiswanger considered Martha Graham, Agnes de Mille and George Balanchine to be the key figures in the evolution of American modern dance.
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Article Abstract:
The life of May OEDonnell, a ballet dancer, from her childhood to her present is described. After failed attempts as a ballet dancer, May O'Donnell decided to choreograph her own dances as a career.
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